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The End of Love

Racism, Sexism, and the Death of Romance

Audiobook
0 of 1 copy available
Wait time: About 2 weeks
0 of 1 copy available
Wait time: About 2 weeks
From Playboy to Jay-Z, the racial origins of toxic masculinity and its impact on women, especially Black and “insufficiently white” women
More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness.
Connecting the past to the present, sociologist Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces.
Using historical research, personal stories, and critical analysis, Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination.
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    • Publisher's Weekly

      November 6, 2023
      Racist ideology in popular media has facilitated the decline of heterosexual monogamy and the rise of no-commitment “fuccboism,” to the detriment of all women, but especially Black women, according to this strident debut from sociologist Strings. She begins by defining two contrasting ideological outgrowths of the 18th and 19th centuries: courtship rituals derived from earlier European romantic tales of noble love, and the concurrently developing trope, under the slavery system, of Black women as ugly and hypersexualized. She argues that these ideas persist today as racialized opposites, with Black women portrayed in pop culture as sexually available “side pieces” while white women are depicted romantically. She traces this dichotomy through analyses of such stereotypical personas as the “gold digger” featured in increasingly misogynist rap in the 1980s and ’90s; the “welfare queen” invented by the Reagan administration; and the “pimps” of 2000s hip-hop. Strings comes down hard against pornography, contending that mid-20th-century Playboy magazine promoted the cultural “whorification” of women who did not meet elite white beauty standards, and blaming porn today both for men’s sexual dysfunction and their involvement in a “masturbatory sex cult.” Strings’s personal testimonies about terrible dating situations and experiences of sexual assault are impactful, but her solutions—embracing queerness and nonromantic love—feel underdeveloped. The results are more provocative that persuasive.

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  • English

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