Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.
1 of 1 copy available
1 of 1 copy available

Wench by Dolen Perkins-Valdez is startling and original fiction that raises provocative questions of power and freedom, love and dependence. An enchanting and unforgettable novel based on little-known fact, Wench combines the narrative allure of Cane River by Lalita Tademy and the moral complexities of Edward P. Jones's The Known World as it tells the story of four black enslaved women in the years preceding the Civil War. A stunning debut novel, Wench marks author Perkins-Valdez—previously a finalist for the 2009 Robert Olen Butler Short Fiction Prize—as a writer destined for greatness.

  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Reviews

    • Publisher's Weekly

      October 5, 2009
      In her debut, Perkins-Valdez eloquently plunges into a dark period of American history, chronicling the lives of four slave women—Lizzie, Reenie, Sweet and Mawu—who are their masters’ mistresses. The women meet when their owners vacation at the same summer resort in Ohio. There, they see free blacks for the first time and hear rumors of abolition, sparking their own desires to be free. For everyone but Lizzie, that is, who believes she is really in love with her master, and he with her. An extended flashback in the middle of the novel delves into Lizzie’s life and vividly explores the complicated psychological dynamic between master and slave. Jumping back to the final summer in Ohio, the women all have a decision to make—will they run? Heart-wrenching, intriguing, original and suspenseful, this novel showcases Perkins-Valdez’s ability to bring the unfortunate past to life.

    • Library Journal

      Starred review from December 15, 2009
      In this memorable first novel by Memphis-born Perkins-Valdez (English, Mary Washington Coll.), four friends meet each summer at a resort in Ohio but can share only snatches of time. Lizzie, Reenie, Sweet, and Mawu are black slaves brought to the resort each year by their vacationing Southern masters as personal servants and sexual companions. Their presence discomfits the Northern whites and black servants in the free state of Ohio, but the real angst lies within each woman's struggles: Mawu is determined to escape her sadistic master; Lizzie admires Mawu's independent spirit but concentrates her efforts on wheedling her master into granting freedom to her own children. VERDICT Readers of historical fiction centering on Southern women's stories like Lalita Tademy's "Cane River" or Lee Smith's "On Agate Hill" will be moved by the skillful portrayal of Lizzie's precarious situation and the tragic stories of her fellow slaves.Laurie A. Cavanaugh, Brockton P.L., MA

      Copyright 2009 Library Journal, LLC Used with permission.

    • Kirkus

      October 15, 2009
      A striking debut intimately limns a Southern slave's complicated relationship with her master.

      Perkins-Valdez (English/Univ. of Puget Sound) builds a convincing, nuanced portrait of Lizzie, a slave on Nathan Drayle's Tennessee plantation. Nathan took Lizzie as his mistress (if such a word can be used for the enslaved) as an adolescent; by the age of 16 she had borne him a son and daughter. He shows unguarded favor to Lizzie, moving her into the guestroom across from his wife's bedroom, teaching her to read and speak like a lady, seeming to need and care for her. In addition, her two light-skinned children are his only offspring. In the summer of 1852 Nathan takes his favored slave Philip and Lizzie to Tawawa House, an Ohio resort where Southern men bring their slave women. Ohio is a revelation to Lizzie. Free black men and women are employed at the hotel, and Lizzie sees a nearby resort catering to well-to-do African-Americans. For Lizzie and the other slaves she befriends that summer, this seems like the world turned upside down. The Southern men spend much of their time hunting, leaving Lizzie the opportunity to imagine a life away from slavery with Sweet (pregnant and doomed), Reenie (defeated by her master, who is also her white half-brother) and Mawu (redheaded, fierce and possessing voodoo charms). They meet Glory, an abolitionist Quaker who is the first white woman to speak to Lizzie as an equal. Mawu, Reenie and Philip talk of escaping, but Lizzie, fearing the slave catchers might hurt them, tells Nathan of their plan. The next summer, barely forgiven by the others for her betrayal, Lizzie begins to wonder why she loves Nathan, her protector and tormentor since childhood. This wondering is her first step toward freedom, and the potential of what the next summer may bring.

      Compelling and unsentimental.

      (COPYRIGHT (2009) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

    • Booklist

      December 1, 2009
      Four slave women accompany their masters to a resort in the free state of Ohio in the mid-1850s. Lizzie actually loves Drayle, the father of her two childrena brown-skinned boy named for his father and a girl white enough to pass. Reenie is the half sister of her owner, a cruel man who passes her along to the resort manager. Sweet is pregnant and has a relatively amiable relationship with her master, while Mawu is a wild red-haired woman bent on freedom from a cruel and violent owner. Frustrations mount as they consider their options, tempted to take advantage of the help offered by free blacks and a Quaker woman. But they are guilt-ridden about the prospect of leaving their children behind. The women rely on each other for support as they come together for three summers, catching up on their lives of woe and occasional joy. Drawing on research about the resort that eventually became the first black college, Wilberforce University, the novel explores the complexities of relationships in slavery and the abiding comfort of womens friendships.(Reprinted with permission of Booklist, copyright 2009, American Library Association.)

Formats

  • OverDrive Listen audiobook

Languages

  • English

Loading