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Go Ahead in the Rain

Notes to A Tribe Called Quest

Audiobook
1 of 1 copy available
1 of 1 copy available
The seminal rap group A Tribe Called Quest brought jazz into the genre, resurrecting timeless rhythms to create masterpieces. This narrative follows Tribe from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast-West Coast rivalry that threatened to destroy the genre, and some record labels' shift from focusing on groups to individual MCs. Throughout the narrative, poet and essayist Hanif Abdurraqib connects the music and cultural history to their street-level impact. Whether he's remembering The Source magazine cover announcing the Tribe's 1998 breakup or writing personal letters to the group after bandmate Phife Dawg's death, Abdurraqib seeks the deeper truths of A Tribe Called Quest, truths that—like the low end, the bass—are not simply heard in the head but are felt in the chest. Digging into the group's history, Abdurraqib draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself.
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    • AudioFile Magazine
      Narrator Ron Butler delivers a history of the early 1990s hip-hop scene, along with excerpts from love letters from the author to the members of the legendary group A Tribe Called Quest. Butler's delivery of the more academic aspects of the audiobook are clipped and professional--at times he sounds as if he is reading straight from a dissertation. But when he narrates the personal content from the author, he interjects more emotion. Amid those parts he finds more success in the charged moments than the tender scenes of a high school kid discovering a band that will change everything for him. The vocal contrast between the narrative and the deeply personal letters to Tribe leave the listener a bit jolted--but exceptionally well informed. R.K.H. © AudioFile 2019, Portland, Maine
    • Publisher's Weekly

      Starred review from March 16, 2020
      Poet Abdurraqib follows up his collection of music criticism They Can’t Kill Us Until They Kill Us with an impassioned, incisive biography cum memoir arguing for hip-hop’s importance to the black youth of his generation. Abdurraqib focuses on A Tribe Called Quest, a group that broke out from Queens, N.Y., in 1990. Noting the band’s wide-ranging samples—Art Blakey, Jimi Hendrix, Sly Stone—he explains that “The Tribe was one of the first groups to repurpose a long line of sound that our parents, and perhaps their parents, were in love with.” He describes his experience trying to find himself as a seventh-grader in Ohio listening to hip-hop on a Walkman and appreciating the band’s willingness to tread “a thin line of weirdness.” In high school, he got by with a crew of friends whose quick wit and music knowledge gave them enough social cred to keep out of fights. Abdurraqib builds a nuanced portrait of the band and their scene in New York, culminating in a touching series of chapters framed as letters to Q-Tip, the group’s founding MC; Phife Dog, “the five-foot assassin with the roughneck business,” who died from diabetes in 2016; and Phife’s mother, the poet Cheryl Boyce-Taylor. This is a standout volume on hip-hop.

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  • OverDrive Listen audiobook

Languages

  • English

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