Alentejo Blue

April 24, 2006
Ali's 2003 debut, Brick Lane
, was a brilliant family saga told largely from within a Bangladeshi woman's apartment on London's ramshackle East End. Ali, who was born in Dhaka and grew up in London, sets her sophomore effort in a similarly struggling community, the rural Alentejo region of Portugal, where cork prices are falling, the region is still healing after the brutal Salazar regime and the locals don't quite care to cater to tourists. But where Brick Lane
was quietly symphonic, this blues-like novel is more of a dirge: João, in old age, comes upon his old friend (and sometime lover), Rui, hanging from a tree, his Communist dreams dashed; the English Potts family scrapes by as indolents-in-exile; the writer Stanton, also British, works away on a second-rate literary biography; tavern-keeper Vasco sadly and silently reminisces about his marriage to an American, Lili; and young Teresa is preparing to leave the village for an uncertain future "outside." The simultaneous sense of stasis and great change is Ali's forte, and her characters' perceptions are sharp. But when anyone other than the Brits speak, it's as if Ali is trying to ventriloquize an incompletely acquired dialect. The characters' lives generate little tension, much like the pinball machine in Vasco's cafe that Stanton plays badly.